June 22, 2008

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Swept -- Lillian , good friend of 60x365, made final suggestion for a piece built from wind sounds. It's more sliced than I imagined it would be when I started, but that happens here sometimes.

attributions:
wind.wav by jaimedaniel
whislingwind.WAV by stomachache
Wind in the trees-2.wav by laurent

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June 19, 2008

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Spaced Out -- Last weekend I checked out David Byrne's Playing the Building installation. Using an old organ as a controller, visitors can "play" an old warehouse. Different keys activate blowers and hammers around the space. Standing in the middle of the room you can hear the sounds move around you as people play on the organ.

Today's piece was inspired by that listening experience. Using slivers of a field recording by Bram at the Freesound Project I created a similar experience of sounds moving around the listener. The effect is heightened by listening with headphones. Enjoy.

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June 3, 2008

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City -- you can hear traffic all night long...

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May 23, 2008

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Old School -- My standard answer when asked about how I began composing goes something like this:
"In high school, our drama club only had enough funding to produce a musical every other year. During the off years we would instead produce a play, but everyone always preferred to do a musical. So one year, the music teacher who advised the club found a play called "Voices From the High School" which allowed for the addition of music (either found or original). She decided to recruit students to create music for the production and a friend of mine and I ended being the only two to take up this challenge. Under the very patient guidance of this teacher we created a score for the play. The experience of presenting our music in public was enough to hook me and I've been composing ever since."
That teacher's name is Connie Zweifel and she started something that changed the course of my life.

Tthe problem with the way that I tell the story is that the friend in it had, in fact, composed before. When we worked out the music, especially the initial pieces, he was guiding and training me too. So now, publicly, I'd like to acknowledge Peter Lamos for his influence on my early craft. As best as I can remember the two maxims I gleaned from him were:
  1. You can never have too much trombone

  2. When in doubt, insert a drum solo

Today's piece is a collage of the very first piece we wrote for that very first show. Enjoy.

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May 18, 2008

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Meditation -- hum along.

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May 10, 2008

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Meeting Mudd -- Today's piece, the final in my Uncle Skip Loses His Mind series, introduces the final voice on that tape: my grandmother (who was affectionately known as Mudd for reasons I don't quite remember). You'll hear her doing what she did best, giving Skip a hard time.

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May 7, 2008

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Row Your What is another piece made sampling from an old cassette recording of my uncle, my brother and me, made years ago when I was only 5 or 6.

We were not able to sing "Row, Row, Row Your Boat" as a round, so I've layered the recording to add that effect. Enjoy.

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May 6, 2008

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Upside Down -- Years ago, when I was only 5 or 6, my uncle came to visit us and he brought his guitar with him. He taught my brother and I some songs, and played around with us. We had a tape recorder that we loved using to record all kinds of stuff, including the different songs he sang with us on that visit.

That tape has survived all of these years, and is labeled simply "Uncle Skip Loses His Mind". I recently gained possession of this tape and am mining it for source sounds for this podcast, so stay tuned. In today's episode, my voice is the first that you will hear. Uncle Skip and my younger brother Daniel ("Danny") are also featured.

Enjoy.

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April 26, 2008

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Celia Speaks -- I'm visiting family in Massachusetts today, including my two year old cousin Celia, who helped me make this piece.

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April 23, 2008

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Nature Song is a celebration of Earth Day. Yes, I know that today is a day late, but it slipped my mind after seeing the World Trade Center site.

attributions:
20060607.bird.gone.nuts by dobroide
spring river 2 by laurent

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April 11, 2008

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City Scene is this week's danceaday.com collaboration with Boris Willis. Yesterday he sent me a video of him dancing on the streets of Washington DC with a nice note about my move to NYC. I had a flash of inspiration to take 60x365 to the streets as well and make today's piece while riding on the subway this morning. All went well, except that I spent the day at a symposium without the ability to get online to post. So Boris has been forced to wait all day as well. (Sorry Boris!)

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February 19, 2008

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Remembering -- A while ago, I posted this sketch of an uncompleted piece. I thought for today we'd check in and see what I've done with it since then. Enjoy.

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January 9, 2008

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Tar - a little mid-weak drummin' to relieve the dreary....

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November 30, 2007

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Leaves -- 60x365 concludes Listener Appreciation Month with another danceaday.com collaboration with Boris Willis. He sent me a video of himself rolling around in some leaves. I took the sound of the leaves, tweaked them a bit, and added some gentle guitar noodling. Enjoy.

Thank you to everyone who submitted an idea for November. I will continue to accept ideas throughout the rest of this project, so if you have one, don't hesitate to share it.

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November 9, 2007

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Soft Shoes is this week's danceaday.com collaboration with Boris Willis. The soundscore comes from a suggestion by Lillian Gray. When I first announced Listener Appreciation Month she gave me a list of different sound sources for me to use. We'll be hearing from her again.

The source sounds come from The Freesound Project. They are StepDance_01.wav, StepDance_02.wav, StepDance_03.wav, StepDance_04.wav, and StepDance_05.wav. All by Ironi Alef.

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November 4, 2007

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Toy Story -- Today's listener suggestion comes from my wife JoLayne. Last year at a White Elephant gift exchange she received four iZ toys from a certain fast food chain. These toys play little loops that can be manipulated by twisting their ears.

For today's piece JoLayne and I performed a little iZ concert, which I recorded with my laptop's internal microphone. Enjoy.

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November 3, 2007

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Stomach Song -- Today's listener suggestion comes from Lillian Gray. She too is involved in a daily art project. Every day she writes a new haiku and posts it on her myspace page. Lillian has submitted several great ideas so you will be hearing from her again.

All stomach sounds come from The Freesound Project:
stomachrumbling1.aif by nannygrimshaw
gut_grumbles.mp3 by bigfatseal
tummy grumble-Normalized.aiff by martian

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November 1, 2007

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Fenway Memories -- I'm kicking off Listener Appreciation Month here at 60x365 with a piece suggested by Susan Morneau (my mother). She grew up north of Boston and is a huge fan of the Red Sox. Since they just won the World Series (again!) she suggested some music that is regularly played at Fenway Park:
Since they just won the World Series, and it is SUCH a big deal to us Boston fans, maybe you could do something with this. The song played at Fenway during every single game, in the 8th inning, is Sweet Caroline by Neil Diamond. There is even a "Fenway Version" in which game sounds and fans singing the song (and fans do sing it every single time) are interspersed throughout the song. Another Red Sox song is "Dirty Water" by the Standells. This song is played immediately following a home victory. In fact, when U2 played in Boston in 2005, they put a little of that song into Vertigo.

Today's piece uses these two songs, along with some memorable audio from their 2004 World Series Victory. Enjoy.

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October 17, 2007

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Joyful Noise 3

Joyful Noise fading
backwards into memory,
distant vibrations

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October 16, 2007

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Joyful Noise 2 -- here's another collage made using an old cassette recording of a music group I helped create while in college. In addition to the sentimental attachment I have to this piece of sound, I am drawn to the lo-fi nature of the recording. The tape hisses and warbles, the instruments are unbalanced, odd background noises creep into the sound.

We live in a world that often seeks the highest fidelity in recorded sound, trying to achieve the effect of having the band right there in the room with you. To me, an old recording like this gains from its imperfections, transporting the listener to the time and place where it was made -- we are now in the room where the band once played.

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